My current role is as Manager of a Technical Publication group for Farsight Security, a startup in the network security world, but in reality, I am the Technical Publication group, so I am also lead writer, documentation editor, publishing system toolsmith, creator of documentation standards and enforcer of company branding and standards and taker of notes in many meetings.
- Email: firstname.lastname@example.org
- Twitter: http://www.twitter.com/chuq
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- Image Portfolios: http://chuqui.smugmug.com
- Flickr: https://www.flickr.com/photos/157793990@N02/
- I’m experimenting with Instagram again: https://www.instagram.com/chuqvonrospach/
- US Mail: 2784 Homestead Road #210, Santa Clara, CA 95051
- My Resume: (also: LinkedIn)
My love is birds and the habitat they live in. Because of that, I volunteer with the Santa Clara Valley Audubon where I chair the Social Media Outreach and Marketing committee, lead group outings and write articles for their newsletter, the Avocet. I have also done volunteer work for the San Francisco Bay Bird Observatory, where I’ve helped them digitize and organize their historical photograph collection and now host that library for them.
If for some reason I disappear and you can’t find me, you should look on the Morro Bay, Oregon Coast, Victoria British Columbia, Vancouver and Portland, in that order. See which shop has recently hired a barista wearing a wig and sunglasses.
My photography focuses on nature with my main interests being bird photography, landscapes and wildlife, especially Sea Otters and Elephant Seals. People often ask what kind of photography I do, and I struggle explaining, because my work doesn’t fit into an easily defined category, beyond, well, “Nature stuff”. The best way to describe what I do, is to answer “this is me“:
Bird/wildlife and landscape work are very different skill sets and require different gear to work, and often conflict with each other; there’s nothing quite like being out with a 500mm lens chasing a Sandhill Crane when the late afternoon sunlight explodes into the glorious magic sunset dance, and your wide angle gear is 30 minutes away locked in the car.
These days I shoot Fuji gear (see What’s in my Camera Bag for details), and I’m happy to answer questions about it if I can, or to talk incessantly about digital darkroom technique in Lightroom, so if I can be of help, please feel free to ask..
Organizations I support
Beyond my volunteer work, I financially support these organizations, and recommend that you consider doing so as well:
- Audubon (national) and my local chapter (Santa clara Valley Audubon). Local chapters get little funding from the national organization, and they both deserve support, with the National and State organization focusing on lobbying and advocacy on the large issues of today, and the local chapter working on the issues that affect the area around us and helping to support and educate our local birding community.
- The San Francisco Bay Bird Observatory (SFBBO) works on improving conditions of San Francisco bay and managing habitats along the bay to help keep it and the birds that depend on it healthy and thriving.
- The Nature Conservancy works to buy and manage open space and critical habitat worldwide to protect sensitive lands and endangered species.
- International Bird Rescue rescues and rehabilitates injured and sick birds throughout the state of California.
- Marine Mammal Institute rescues and rehabilitates sick and injured animals along the California coast, including seals, sea lions, elephant seals and sea otters.
- The Cornell Lab of Ornithology works on research and education about birds in North America and beyond, and manages the essential eBird system birders rely on.
- Humane Society of Silicon Valley (HSSV) takes care of and helps find permanent homes for the animals that have been abandoned or put up for adoption in this area. Our cats are adoptees of HSSV and we have been supporters of their work for many years and multiple generations of partner cats.
Right now, I should note that I’m trying to raise awareness on just how much money organizations spend on asking for more money, and how much paper they send out to members via the US Mail, which is expensive and ecologically not sound. Because of this, I am likely to make changes to who I donate to, shifting money to those that aren’t spending my money on these activities and away from those that are pushing a lot of paper right into my blue recycle bin. As of my last update, Nature Conservancy is by far the one wasting the most of my donation on these needless and expensive hunks of paper I don’t want, and is likely to lose any future funding from me.
Professionally I’ve worked at various jobs in high tech since I left college in the 1980’s. I moved to Silicon Valley in 1982, which means I’ve been here longer than I lived in Southern California where I was born. Companies I’ve worked for include a number of startups you’ve never heard of (because they died), National Semiconductor, Sun Microsystems, Apple Computer (17 years, somehow), Palm (the WebOS reboot attempt), Infoblox and Cisco.
If you are an environmental non-profit organization with 501(c)(3) status, I will usually license images to you at no cost for a specific use. Please contact me to arrange the licensing. I do reserve the right to decline a license if I don’t feel the usage is appropriate for some reason.
This site discusses and reviews many products and services, and where appropriate we include links where you can buy them or find more information. In some cases we link to Amazon as a buying option using their affiliate program. Those services may capture personally identifable information but we have no access to it and it is not under our control.
I do not publish any GPS data in any of my images. If ask where I took an image, I will usually be happy to share with you the facility where it was taken, if that facility is open to the public and encourages visitors. For instance, I’ll always disclose that an image was shot at Yosemite National Part, or Merced National Wildlife Refuge. To be honest, when I GPS encode my own images, it is to the facility, not to locations within it, so I may not be able to remember a more specific location within that facility.
Even if I do, though, I won’t disclose it. You are welcome to go there and find your own images within that place. If you’re hoping to find my specific composition, I must suggest instead you buy a print of mine that you like so much and not clone a copy of it, or consider hiring me as a guide to take you there if you want it that badly. I have no interest in encouraging or helping people trophy hunt compositions.
If an image is sensitive and is a location where visitation isn’t encouraged, I will decline disclosing, or give a general answer that’s not terribly useful. I’ve seen too many of these sensitive places damaged and I have no interest in helping that kind of behavior.
I’ve long worried about the impact of sharing sensitive locations, and so I have not shared images with GPS data for a number of years, and in fact, when I encode GPS onto my images,
We need to do what we can to protect these sensitive and fragile locations, and I am doing what I can to promote that in my work and how I create it.
Things from the past you might be interested in
In my writing, I really enjoyed exploring the boundaries between SF and Fantasy, and screwing around with that mythical “fourth wall” between the story and the reader. These are tough to do right, easy to do badly, and I’d like to think I more or less succeeded most of the time. I also tended to write off into left field — my first sold work, for the SF anthology Alternate Kennedys, was actually a horror story, not remotely SF. My favorite writing involved a continuing character I was working with, a computer consultant who kept getting involved with fantastic beings (those are Good Intentions and Birds of a Feather) — that series was an attempt to write a hard-SF series about a subject that quickly becomes boring to many readers (stories about working with computers, as opposed to stories with computers in them as gilt and props) — but at the same time, involving purely fantastic and mythological beings.
Here’s a list of the fiction I’ve published. Where I can make it available online, I’ve done so and linked to it for your amusement.
- ‘Til Death Do Us Part: (Alternate Kennedys, Tor, July 1992, Mike Resnick, Editor). A horror/dark fantasy story involving Marilyn Monroe coming back as a succubus to make Jack Kennedy’s life interesting. (what’s left of it). This book is seriously out of print.
- Princess and the Dragon: (Pulphouse Magazine, never published). This is your typical soft fantasy with a dragon, a kidnapped princess, and a worthy knight off to rescue here. Except it’s not, well, typical.
- Going Straight: (co-written with Laurie Sefton, Further Adventures of the Batman, Featuring the Penguin, Bantam, 1992; edited by Martin Harry Greenberg; reprinted in other DC anthologies). The Batman story, the one I wrote in collaboration with Laurie, has it’s own strange story about its creation. We initially submitted an outline for the story to DC that caused mass horror among the editors (it involved the Penguin going back to a high school reunion to get even with all of his peers that made fun of him as a young boy, killing them off in nasty, gruesome and very melodramatic ways — when we had him chop the head off of the teacher-nun with a sharpened metal ruler, the DC people evidently lost it) — but we were given about 24 hours to come up with an alternate story, write and and submit it as an alternate — which was accepted without a single request for modification (go figure). Since we couldn’t kill the nun, we ripped off the church instead, having the Penguin use computer crime to embezzle all of the money from the arch-diocese (a Cardinal, to keep the bird theme alive). it is, we believe, the first time someone was murdered with a Macintosh to the skull…. Somewhere around here we have the original (rejected) outline, which is a real screamer. If I can find it, I’ll post it.
- Good Intentions: (Deals with the Devil, Daw, 1993, edited by Mike Resnick). A computer consultant gets hired by God to hack Hell’s databases to save souls. Except it ain’t that easy. This was the first appearance of my computer consultant character who keeps getting hired by fantasy beings. The entire premise of the series was to write straight them as straight science fiction pieces, but with key characters that are pure fantasy — but written as if they’re real.
- Fnord and Gord go to the Zoo: (Xanadu 3, edited by Jane Yolen, Tor Books, January 1995) A Fafhrd and Grey Mouser pastiche, sort of. This is a story where I not only blow up the fourth wall between author and audience, I dance the macarena on the remains — and invariably, people either love it for the humor or hate it for the humor — and in a few cases, both at the same time. Writing stories where the characters overtly know they’re characters and mug for the audience is exceptionally tough, and I think I pulled it off fairly well overall. Probably my favorite piece of published fiction.
- Birds of a Feather: (WitchFantastic!, Daw books, January, 1995, edited by Mike Resnick and Martin Harry Greenberg). A Science Fiction story using Macintoshes in witchcraft. Co-stars Morgan the cockatoo in a supporting role. Another of my computer consultant stories.
- Downtime. It’s set in the same universe as Good Intentions and Birds of a Feather, only this time, it’s Christmas Eve, and Santa has a problem…. Personally, I find the prose in this a bit clunky, but I love the premise. I decided to stop actively writing before polishing it to my preferences.
32 issues have been published. 30 of them were available on the net, while 31 and 32 were paper only. OtherRealms grew out of a wish to find a better way to publish material on the net. You have to realize that back in 1986, things were plain text and distribution was by e-mail and USENET. Even then, USENET was showing signs of strain from growth and popularity, but none of us had a clue how good we had it at the time. USENET today is nothing but a shadow of what it was, quality-wise. A second reason for OtherRealms (other than thinking I had something useful to say) was that I was fighting a serious, nasty writer’s block, and I felt that putting myself on a writing schedule and forcing myself to write (or embarass myself in front of the readers waiting for each issue) would help me break out. It did, but it also took on a life of its own and became a much larger thing than anyone expected.
Of course, in today’s World Wide Web world, OtherRealms looks (and is) horribly primitive. But it was one attempt to find a better way to deliver and distribute information on-line, long before the WWW existed (or was even under consideration).
Please abide by the copyright notices in the issues — people’s lack of concern over copyright protection was one reason I removed the final issues. Don’t screw it up for others.
Some of the lists were large and vibrant, some were small and very much niches. Some did pretty well, some were experiments that never got critical mass. All of them are interesting glimpses into the intersection of the online universe and the sports world and the state of the sport at the time. It’s my long-term plan to make this content more searchable but I don’t know when or if that will happen.
Until then, those of you who are blogging about this stuff and think you invented the form, it’s actually been going on for a long, long time
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